1) Jessica Cohn. The Electronic Music Scene: The Stars, the Fans, the Music.

2) Webster, David R (2015) Electronic Dance Music, Neo-Liberalism and Philosophy. [Teaching Resource]

3) Marshall, Wayne. 2010. “Sounds of the Wide Wired World.” The National. Abu Dhabi, UAE. October 29.

4) Herbert, R. Young. 2012. People’s Use and Subjective Experience of Music Outside School. Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of music, July 23-28, 2012. Thessaloniki, Greece

5) Garcia, L-M. Beats, flesh and grain: sonic tactility and affect in electronic dance music (2015). Sound Studies.

6) Sayers, Jeffrey John. “The Wrong Mix: Electronic Dance Music and its Copyright Problem” (2014). Law School Student Scholarship. Paper 566.

7) Tucker, Boima. “Global Genre Accumulation.” Africa Is A Country, November 22, 2011.

8) STATS, Eddie. “Okayafrica Exclusive: Diplo and Chief Boima Debate the Politics of Tropical Bass.” okayplayer, March 22, 2012.

9) The structure of international music flows using network analysis New Media & Society May 1, 2010 12: 379-399

10) Music in Electronic Markets: an empirical study

11)  Peel, Ian. “Dance music.” Grove Music OnlineOxford Music Online. Oxford University Press. Web.13 Apr. 2015. <;.
12) Dayal, Geeta, and Emily Ferrigno. “Electronic Dance Music.” Grove Music OnlineOxford Music Online. Oxford University Press. 10 Jul. 2012. Web. 13 Apr. 2015.<;.
13) Eigenfeldt, Arne, and Phillippe Pasquier. “Evolving structures for electronic dance music.”

14) Anna Ostrom. We call it Swedish Techno. Vol 3, No 1 (2011): Special Issue on the DJ. Dancecult, Journal of Electronic Dance Music Culture

15) Beyond Avicii: The Swedish Techno Mafia


17) 17 U.S.C. § 114

18) Antonia Mortenson. How Electronic Music Industry takes festivals global, NN (August 9, 2013)

19) Ben Sisario. (quoting Michael Rapino, Chief Executive of the woconcert promoter Live Nation) Electronic Dance Concerts Turn Up the Volume, Tempting Investors, The New York Times (April 4, 2012)

20) EDM History. EDM Music Junkies,

21) Kara Warner. Donna Summer ‘Definitely Influenced’ Flo Rida, Other EDM Acts, MTV NEWS.

22) Michaelangelo Matos. How Chicago house got its groove back, CHICAGO READER (May 3, 2012). -the-second-wave-of-chicago-housemusic/Content?oid=6194277

23) Scott Plagenhoef. Drop the Bass: How the 90’s Won Again, GQ Magazine (March 23, 2012)

24) Antonia Mortensen. Electronic Dance Music: How Bedroom Beat Boys Remixed the Industry, CNN (April 12,2012)

25) Andrew Spada. Zedd’s ‘Clarity’ Reaches #1 on US Radio, DANCING ASTRONAUT (September 9, 2013)

27) Ken Capobianco. David Guetta, ‘Nothing but the Beat’, THE BOSTON GLOBE, (August 29, 2011)

28) Lauren Lipsay. Swedish House Mafia Brings the Party to Madison Square Garden, ROLLING STONE (December 17,2011)


30)Yolanda Be Cool – A Baru In New York ft. Gurrumul (Flume Reix). LYFSTYL.

31) Richard Busch. Major Label Records as Dinosaurs? FORBES (March 27, 2012)

32) David Goldman. Music’s Lost Decade: Sales Cut in Half, CNN MONEY (February 3, 2010)

35) Michael Allyn Pote. MMashed-Up in Between: The delicate Balance of Artists’ Interests Lost Amidst the War on Copyright, 88 N.C.L Rev. 639, 665 (2010)

34) “Bio Nasshunter”.


36) Randall Roberts. Michaelangelo Matos discusses how electronic dance music got its wattage (May 1, 2015). LA TIMES.

37) Ryan Faughnder. SFX Entertainment CEO Robert Sillerman to take company private (May 26, 2015). LA TIMES.

38) SFX Entertainment About. SFX.

39) Mark Edelsberg. The Entire Daft Punk Set From Coachella May 2006. Youtube.


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